摘要
20世纪80年代以来的改革开放,使中国音乐艺术获得了长足发展,中国钢琴音乐呈现出了新的发展态势。作曲家们在调试特性的基础上,进行民族和声的革新与试验;还有一些作曲家立足于对新风格的大胆探索,追求新的音响效果;更有一些作曲家自己独创技法体系,创作了极具个性化的音乐语言。这些作品在创作手法上所体现出的独创性、刻意追求的音乐环境和音响效果,以及借鉴西方技法来表现民族精神风采所做的一切努力,为推动中国钢琴事业做出了不可估量的贡献。
Since the economic reform and opening-up to the outside world initiated in 1980＇s, Chinese musical art has made great strides forward and accordingly, her piano music has shown a fresh momentum of development. Some composers, on the basis of piano-tuning features, have carried out their innovation and experiments about nationalized harmony, others have been going after a new sound effect by establishing themselves in boldly exploring a fresh style, and still others have set up their own creative skill systems so as to have formulated their own music language with extreme individuality. The originality and deliberate pursuance for a new musical environment and sound effect and all the attempts of using the Western skills for reference so as to express our national spirit and charm, all of which are illustrated in those works, have made such great contributions to China＇s piano cause that can not be estimated.
出处
《深圳大学学报（人文社会科学版）》
CSSCI
北大核心
2011年第1期151-155,共5页
Journal of Shenzhen University：Humanities & Social Sciences
