摘要
戴来塑造了众多"生活在生活之外"的边缘人形象,他们的"游走"不同于其他新生代作家的书写,而更像是一种抗争性的"出逃"。戴来小说构思精巧,在理性的怅惘的美学风格下,其小说文本呈现出"简化"与超性别叙事的特征。
Dai Lai created so many marginal characters living beyond the life.They were wandering,quite different from those written by other new generation writers,which seemed more like resistance fleeing.With cunning frames,rational and distracted aesthetics style,Dai Lai＇s novels have characteristics of simplicity and detached-gender narration.
出处
《连云港职业技术学院学报》
2010年第4期38-40,共3页
Journal of Lianyungang Technical College
基金
2007年度江苏省教育厅高校哲学社会科学基金指导项目(07SJD750015)
