摘要
白玛娜珍是我们这个时代的同行者,她以她的作品介入了和平解放以来西藏所经历的社会文化转型,为当代文坛推出了全新的艺术形象——社会文化转型时期的"寻梦者"藏族女性典型形象,拓宽了我们的审美视域。在当代的藏族社会中有一类处于传统与现代两种文化边缘地带的女性群体,她们既不完全认同传统文化的价值,也没能建立起新的知识结构,她们只能在两种文化的夹缝里苦闷、彷徨,成为精神的虚空者,白玛娜珍的文本就关涉到了这一群体。尽管"寻梦者"女性不是新时代藏族女性的主流或全部,但她们的生存状态也是一种现实存在,塑造这一形象具有积极的文化意义。
Pema Nordun mation of Tibet since its is a writer of today. Her works involve in the process of social and cultural transfopeaceful liberation, and have introduced new artistic figures into the contemporaty literary,＂dreamers＂ of the time while society and culture transfoming, typical Tibetan women, who expand our perspective of aesthetics. In modern Tibetan society there is a group of women who are between the traditional and modern culture, not having fully recognizd the value of the traditional culture, and failed to establish a new knowledge structure, so they are depressed of emptiness of being in the crack of the two cultures. Though＂dreamers＂ are not the majority of Tibetan women, but they really exist. Thus the construction of the figures contain cultrural significance.
出处
《西藏大学学报（社会科学版）》
CSSCI
2010年第4期138-142,147,共6页
Journal of Tibet University
基金
西藏大学校级科研项目"当代藏族女性文学创作研究"阶段性成果
项目号:ZDSK200704
关键词
白玛娜珍
藏族女性形象塑造
“寻梦者”形象内涵
Pema Nordun
the construction of the figures,namely Tibetan women
the connotation of the figures
dreamers
