摘要
谷崎润一郎和欧阳予倩之间的友谊断断续续维持了三十余年,这在中日现代文学交流史上也是较为少见。事实上,20世纪20、30年代的欧阳予倩的戏剧创作,无论从思想上,还是艺术手法上,也都曾受到谷崎润一郎的影响。与此同时,欧阳予倩戏剧创作所表现出来的唯美主义倾向与其现实主义的戏剧理论并非矛盾。因此,欧阳予倩在接受谷崎润一郎影响的同时,进行了创造性叛逆。其最为突出的地方就在于他善于借鉴谷崎的理论和创作技巧,此来传达作者反封建的时代精神和个性解放的时代主题。
Tanizaki and Ouyang Yuqian maintained friendship for over 30 years, something rare in Sino-Japanese exchange in the history of modern literature. In fact, Ouyang Yuqian＇ s dramatic writings in the 1920s and 1930s were influenced by Tanizaki either ideologically or artistically, also. At the same time, Ouyang Yuqian dramatic aesthetic tendency does not run into conflict with his realistic dramatic theory. Therefore, Ouyang Yuqian accepted Tanizaki with some creative treason. The most prominent is that He is good at drawing on Tanizaki theoretical and creative skills in order to convey the anti-feudalism spirit and individual liberation of the times
出处
《东方论坛（青岛大学学报）》
2010年第5期91-96,共6页
Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）
基金
湖南省哲学社会科学成果评审课题"谷崎润一郎研究"阶段性成果
课题编号:080604313
湖南省社科基金课题"齐崎润一郎文学创作中的中国形象"阶段性成果
课题编号:09YBB167
关键词
谷崎润一郎
欧阳予倩
关系
影响
变异
Tanizaki
Ouyang Yuqian
relations
influence
variation
