摘要
"寓技于折"使折子戏成为昆剧的技艺箩筐。"依行分戏"则完成了折子戏舞台呈现时的角色归属。二者对昆剧的发展有着重要作用:在角色行当方面,首先通过技艺的专擅各个行当巩固了行当表演特色。其次,由于分工和专攻的存在和发展,行当分工得以明晰,行当地位也得以进一步确认。第三,由于明确的分工和专擅,就很容易形成剧团内各行当之间在分工基础上的合作和协调。"寓技与折"和"依行分戏"的作法在平衡不同行当的地位和作用方面也有显见作用。借助折子戏中的"家门戏",昆剧原本相对弱势的行当得到了发展机会,"生旦"体制的缺陷在很大程度上得以弥补。二者还促使昆剧剧目围绕舞台演出逐渐发展和成熟。这一成熟的标志即"家门戏"的形成,以及由此引发的骨子戏、五毒戏的出现和形成。
The practice of focusing on selected scenes and classifying different roles produced great influence on the development of Kunqu opera.First,role classification improved acting;secondly,role classification strengthened the position and function of roles;thirdly,role classification provided a good foundation for the coordination and cooperation among roles in a troupe.Selected scenes focus and role classification also played an important part in balancing the position and function of different roles,thus promoting the development of relatively weak roles and bringing about more excellent performances of Kunqu opera.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第6期98-101,共4页
Journal of Southeast University(Philosophy and Social Science)
基金
国家社科基金项目"戏曲折子戏研究"(08bb17)阶段性成果
