摘要
仅仅是题材写了草原的,不进行草原叙事的草原文学,是"伪草原文学"。作者、地域等都是可以变化的"动态"因素,用来界定草原文学都会表现出不稳定性,而作品一经创作出来,其内容和形式都是确定的,因此,应该从作品出发,从内容和形式上共同鉴定什么是"草原文学"。塞夫、麦丽丝的电影是形神兼备的"草原电影",对其作品进行个案分析,或许对界定什么是草原文学不无裨益,至少可以提供一些侧面的启示和帮助。
Brief introduction： there＇s a kind of grassland literature that its subject is about grassland,but no narrative of grassland,so this kind of literature is called ＂ Spurious Grassland Literature＂.The author and the region,to name but a few,are all ＂dynaset＂ factors that are changeable.They will show their instability when they are used to define the grassland literature,but once a work has been written,its content and form are changeless.For that reason,we should consider about the work itself,and define ＂ Grassland Literature＂ both from the content and form.Saif Mailis＇movie is the unity of form and spirit.So it may be helpful for us to define Grassland Literature if we analyze her work,at least we can get some indirect aspiration and help.
出处
《内蒙古民族大学学报（社会科学版）》
2010年第5期55-57,共3页
Journal of Inner Mongolia Minzu University：Social Sciences
关键词
草原文学
草原题材
草原叙事
文化自觉
Grassland
Literature
Subject of Grassland
Narrative of Grassland
Cultural consciousness
