摘要
冯小刚的《唐山大地震》作为1976年唐山地震的34周年纪念之作,颠覆了以往重大历史事件题材电影的宏大模式,在国产灾难电影美学上取得了新的突破。它的成功将给国产灾难电影的发展带来新的启示。
Feng Xiaogang’s works of Aftershocks which commemorates the 34th anniversary Tangshan earthquake happened in 1976. The movie subverts grand occasion which past important history movies often use and reach a new breakthrough on aesthetics of national disaster movie. It’s success brings new enlightenment in development of national disaster movie.
出处
《新闻界》
CSSCI
北大核心
2010年第5期105-106,共2页
Journalism and Mass Communication
