摘要
当代众多作家中,余华是极具个性的一个,也是在创作上极富才情的一个,其作品亦备受评论家关注。2009年余华研究论文篇数近百,比历年都多,无论是对叙事、语言还是作品意蕴都有深入解读。文本研究方面,《兄弟》依然是评论家关注的焦点。颇有意味的是,前两年达炽热状态的《兄弟》研读今年在国内渐趋冷却,只剩喧哗后的余响,而在国外却方兴未艾。另外,很多评论家似乎不约而同地关注到了余华的创作风格及"转型",从不同角度挖掘其风格成型原因及"转型"程度深浅。本文以此为据点,对2009年的余华研究作出综述性解读,力图为众多余华关注者和评论家客观地展示出该年的余华研读现状。
Yu Hua（1960-）is one of the most distinctive and brilliant writers in contemporary China,whose works have been in the critical spotlight.The year of 2009 witnessed the publication of nearly 100 academic papers and articles on his novels,which was a new record in the number of studies in this field.Also worth mentioning was the depth of study,whether on his narration and language or on his works themselves.As to textual studies,Yu＇s Brothers（2005）remained the focus of criticism,but while Chinese critics were less enthusiastic about textual analyses of the novel this year than in the past two years,international interest in it was on the rise.In addition,many critics started to note Yu＇s writing style and its ＂transformation＂,and probed into the underlying reasons for his style and the extent to which the style was ＂transformed＂.Building on these facts,the present paper attempts to make a comprehensive review of studies on Yu in 2009,trying to present a panoramic understanding of what was going on throughout the year.
出处
《浙江师范大学学报（社会科学版）》
2010年第5期57-64,共8页
Journal of Zhejiang Normal University(Social Sciences)
关键词
余华
《兄弟》
叙事
转型
研读现状
Yu Hua
Brothers
narration
transformation
status quo of research
