摘要
《百年孤独》20世纪八十年代被引入中国时,其魔幻现实主义的写作手法曾令相当一批中国作家深为震撼与折服,有些作家还模拟这部作品的创作手法,写出了自己的魔幻之作,但是成功者甚少,究其原因,还在于他们对加西亚·马尔克斯魔幻手法产生巨大艺术魅力的根本原因没有做深入的了解和学习,因而犯了只知取其表、不知究其里的毛病。其实无论多么魔幻的写法,其最后成立的基础总是要拥有所有优秀的文学作品都会拥有的一种品质,即一种本质的真实。本文通过对《百年孤独》作者对写作本书的起因、选择叙述语言时的思考、对写作的认识等方面的考察,对这部小说在写作上所显示出来的意义进行了探讨,提出了"叙述的真实"和"本质的真实"这两个概念,并着重阐明了叙述真实和本质真实的关系。
Introduced into China in the 1980s,One Hundred Years of Solitude gave a great shock to and influenced many Chinese writers with its magical realist techniques. Some writers followed this way of writing,but most of them were unsuccessful. The reason is that they did not catch on the root of the great aesthetic charm of this magical realist novel. However magical it is,a real canonical work always puts it over in the truth of its essence which always reveals the true image of the reality. This essay examines the writing purpose of this novel,the selection of the narrative language and Mrquez＇s ideas about reality and art,and brings forth two concepts：the truthfulness of narrative and the truth of essence,which help us appreciate the value of this novel.
出处
《外国文学研究》
CSSCI
北大核心
2010年第4期141-146,共6页
Foreign Literature Studies
