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后现代叙事理论(英文) 被引量:3

Postmodern Narrative Theory
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摘要 本文描述了后现代叙事的基本特征,指出这些特征与其它模仿叙事之间的差异,勾划出解读这些作品所必需的理论框架。本文首先对后现代叙事的区别性特征给予广义的阐述,然后讨论了在传统叙事与后现代叙事中作者、隐含作者以及叙述者之间的关系,甄别了后现代策略的特点:多重叙述者、第二人称叙述、各种形式的不可能叙述等。文章最后探讨了叙事时间、情节和进程,辨别了一些后现代技巧,如非常规或非自然的故事、不可能的时间序列、解叙述、非传统的结尾等。为了说明这些概念,文章以撒尔曼.拉什迪的小说《午夜的孩子》和其他后现代文本作为案例进行了分析。 In this article I describe some basic features of postmodern narrative,note its differences from other,mimetic types of narrative,and identify the kind of theoretical framework necessary to comprehend such works. I begin with a general account of the distinctive nature of postmodern narrative,and then discuss the relations among authors,implied authors,and narrators in traditional and postmodern narratives. I identify characteristic postmodern strategies,including the use of multiple kinds of narrators,second-person narration,and various forms of impossible narration. I then move on to time,plot,and progression,and again identify a number of distinctive postmodern strategies,such as the use of unusual or unnatural stories,impossible chronologies,denarration,and nontraditional endings. Throughout the essay I provide examples from Salman Rushdie's Midnight's Children and other postmodern texts to illustrate these conceptions.
出处 《外国文学研究》 CSSCI 北大核心 2010年第4期24-31,共8页 Foreign Literature Studies
关键词 叙述 叙述者 后现代主义 进程 故事 时间 narration narrator postmodernism progression story time
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参考文献18

  • 1Cuddy Keane. Melba. "Virginia Woolf and Beginning' s Ragged Edge. " Narrative Beginnings: Theories and Practices. Ed. Brian Richardson. Lincoln: U of Nebraska P, 2008. 96 -112.
  • 2James, Henry. Theory of Fiction: Henry James. Ed. James E. Miller, Jr. Lincoln: U of Nebraska P, 1972.
  • 3Joyce, James. Ulysses: The Corrected Text. Ed. Hans Walter Gabler. New York: Random, 1986.
  • 4McCarthy, Mary. The Company She Keeps. New York: Harcourt, Brace, 1942.
  • 5McHale, Brian. Postmodernist Fiction. New York: Methuen, 1987.
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  • 10Richardson, Brian."Beyond Story and Discourse : Narrative Time in Postmodern and Non-Mimetic Fiction. " Narrative Dynamics : Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 47 - 63.

同被引文献21

  • 1尚必武.非常规叙述形式的类别与特征:《非自然的叙述声音:现当代小说的极端化叙述》评介[J].北京第二外国语学院学报,2009,31(2):67-74. 被引量:22
  • 2管宁,魏然.时间的空间化:小说艺术方式的转换——后现代消费文化视阈中的文学叙事[J].社会科学战线,2006(6):106-111. 被引量:14
  • 3Alber, J. 2009. Impossible storyworlds and what to do with them [ J ]. Storyworlds :A Journal of Narrative Studies, 1 (1) :79 -96.
  • 4Alber, J. 2010. Hypothetical intentionalism:Cinematic narration reconsidered[ A]. In Alber, J. & M. Fludemik (eds.). Postclassical Narratology:Approaches and Analyses[ C ], Columbus: Ohio State University Press.
  • 5Alber, J. , S. Iversen, H. Nielsen & B. Richardson. 2010. Unnatural narratives ,unnatural narratology : Beyond mimetic models [ J ]. Narrative, 18(2) : 113 - 136.
  • 6Alber,J. & M. Fludernik. 2010. Introduction[ A ]. In Alber, J. & M. Fludernik (eds.). Postclassical Narratology: Approaches and Analyses[ C ]. Columbus: Ohio State University Press.
  • 7Fludernik, M. 2009. An Introduction to Narratology [M]. London: Routledge.
  • 8Herman, D. 2009. Basic Elements of Narrative [ M ]. Malden: Wiley- Blackwell.
  • 9Nielsen, H. 2010. Natural authors, unnatural narration [ A ]. In Alber, J. & M. Fludemik ( eds. ). Postclassical Narratology: Approaches and Analyses[C]. Columbus: Ohio State University Press.
  • 10O' Neill, P. 1994. Fictions of Discourse: Reading Narrative Theory [ M]. Toronto: University of Toronto Press.

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