摘要
林逋一直被学界认为是北宋初期"晚唐体"最杰出的一位诗人,但事实并非如此。林逋的七律数量多于五律,且在创作上呈现出与寇准、赵湘等典型的"晚唐体"诗人截然不同的特征。他的七律在内容上多着眼于身边事、眼前景;风格清新孤峭、"平淡邃美";用典化俗为雅;讲究炼字、炼句等方面的突出表现,更像晚唐诗人皮日休、陆龟蒙,并已具有典型的宋诗特质,对宋祁、梅尧臣、黄庭坚乃至整个江西诗派的七律创作都产生了深远影响。
Lin Bu was always considered as a most distinguished poet of ＂Late-Tang Dynasty poetry style＂ in early Northern Song Dynasty, but it is not the case with regard to seven-character regulated verses in Song Dynasty. Instead of five-character regulated verses, Lin Bu used more seven-character ones which are strikingly different from those used by Kou Zhun and Zhao Xiang of ＂Late-Tang Dynasty poetry style＇. Lin Bu＇s seven-character regulated verses mainly narrate the daily happen- ings and nearby scenery in simple, fresh and profound style. For the artistic technique, Lin Bu has prominent performance on choosing words, using antithesis and literary reference, etc. His poems are more similar to those of Pi Ri-xiu and I.u Guimeng in late Tang Dynasty and have typical characteristic of poetry style in Song Dynasty, exerting profound influence on poets like Song Qi, Mei Yao-chen, and Hang Ting-jian as well as on the creation of seven-character regulated verses of Jiangxi poetry style. So it is necessary to redefine Lin Bu＇s poetry style and identity.
出处
《广西师范大学学报（哲学社会科学版）》
北大核心
2010年第4期49-54,共6页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
基金
江西省高校人文社科重点研究基地招标课题"中国文学批评与文体研究"项目成果
江西师范大学博士基金项目(编号:1821)
江西师范大学青年基金项目(编号:2352)
关键词
晚唐体
林逋
七律诗风
身份归属
Late-Tang Dynasty poetry style
Lin Bu
seven-character regulated verses
identity redefinition
