摘要
新中国成立以后,当代文学里的母亲形象的塑造经历了三个比较明显的演变阶段,第一阶段的母亲形象往往是政治理想的寄托,女性特征不明显;第二阶段的母亲形象开始向女性身份回归,母性开始被描绘为一种女性的力量;第三个阶段的母亲形象丰富多样,在传统母亲形象依旧被歌颂的同时,还出现了世俗母亲、无爱之母、精神之母等具有解构性质的母亲形象。母亲形象的演变过程反映了新中国性别文化从单一到多元、从无性别意识到性别意识彰显的过程。
Since the founding of New China,the shaping of the image of mother in the modern Chinese literature is divided into three stages.In the first stage,the image of mother is the anchorage of political ideals,thus lacking in femininity;in the second stage,it is related to the feminine strength,a return to the female identity;in the third stage,it is diversified,with many deconstructing images of mother,including the worldly mothers,the loveless mothers,the sanctified mothers,etc.These three stages reflect the evolution of the mother image,from singleness to plurality,from lack of gender consciousness to the foregrounding of gender consciousness.
出处
《绍兴文理学院学报》
2010年第4期75-79,共5页
Journal of Shaoxing University
基金
浙江省社会科学界联合会研究课题((2009B70)
绍兴文理学院元培学院科研项目(ykB09061))成果
课题名称<母亲形象与新中国的性别文化建构--从文学社会学的角度考察>
关键词
母亲形象
新中国
性别文化
建构
image of mother
New China
gender culture
construction
