摘要
对于赋体文学的渊源,自古以来歧见纷纭,令人莫衷一是。最早以"赋"命名的荀子《赋篇》和宋玉诸赋,地下出土文献《御赋》、《神乌赋》、韩朋简、田章简等,大都是文人对民间隐语、嘲戏、讲唱艺术、大小言竞技艺术的改造,具有鲜明的俗文学色彩;汉代散体大赋中堆砌晦涩的铺陈文字,其实也是一种滔滔不绝、音声悦耳的口诵技艺。早期赋家娱悦主上、见视如倡的身份地位,从侧面证明了赋体文学与民间韵语的渊源关系。
There has been no consensus on the origin of Fu since ancient time.Xun Zi's Fu Pian,which was named Fu for the first time in history,Song Yu's various Fus and those unearthed documents such as Yu Fu,Shen Wu Fu,Han Peng and Tian Zhang bamboo slip scripts possess the characteristics of folk literature,because most of them are the renovation from folk riddles,satire,relation and the art of boasting by contemporary literators.The rhetorical and obscure words in Han Da Fu is no more than an eloquent and rhyming skill of chant as well.Moreover,the fact that the early Fu writers tried to flatter the emperors and were seen as the entertainers is another evidence to prove the relationship between the origin of Fu and folk rhymed words.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第4期43-53,共11页
Journal of Tsinghua University(Philosophy and Social Sciences)
基金
教育部重点基地重大项目"中国俗文学分体研究(续)"之子课题"俗赋研究"(01JAZJD750.11-4408)
北京市教委人文社会科学项目"俗赋与中国古代文学的发展"(2007)
