摘要
始于上世纪三四十年代之交,后又大规模发生在五十年代声乐领域里的"土""洋"之争,其实质是中西音乐关系在声乐艺术中的集中反映。其中若干次全国性的大讨论涉及到中西唱法的科学性、声乐艺术的民族形式与民族风格、如何继承中外声乐遗产以及创建新的中国唱法和民族声乐学派等声乐艺术的根本问题与相关宏大命题。"土""洋"之争推动了新中国声乐艺术的发展,其"非政治化"的特点和历史经验值得珍视与记取。在音乐文化多元化背景下,如何真正超越中西二元矛盾乃至门户之见,重新审视科学方法与声乐艺术之间的关系,则是当下声乐界仍需认真思考的问题。
That the controversy of ＂native way＂ and ＂Western sytle＂ in the vocal domain started in the turn of the 30s and 40s of the last century, and enlarged in 1950s, and its essence was the relationship between Chinese music and Western one reflected in vocal art. There were several large discussions in the whole China involved issues of scientific singing methods between the West style and Chinese one, the national style and form of vocal art, how to inherit both of the Chinese and foreign vocal music legacies, and creative the new Chinese singing way as well as the school of national vocal music. That the controversy about the ＂indigenous＂ and the ＂foreign＂ promoted development of vocal art in the new China, with the features of depoliticization, its historical experience valued to treasure and remember. In the background of musical calture diversity, the au- thor hold that the vocal community should seriously consider those issues such as how to beyong really the con- flict of Chinese and Western even factional view, resurvey the relation of scientific approach and vocal art at present.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2010年第3期78-95,共18页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
山东省音乐学"泰山学者"建设工程专项经费资助
关键词
“土嗓子”
“洋嗓子”
唱法论争
声乐艺术
native voice, voice in the Western style, controversy of singsing method, vocal art
