摘要
音乐演绎是一个复杂的活动,其中包含着理解、创造等一系列哲学、美学问题。音乐演绎中如何面对"原作"?音乐作品蕴涵与演绎的统一等,历来是理论研究不能回避的问题。本文试图通过对阐释理论发展脉络的梳理,就以上问题发表看法。
The music interpreting is a complicated activity involved in comprehension, creation as well as the other issues related to philosophy and aesthetics. How does the music interpreting face the original work？ That the unity of music work implication and interpretation is an issue the theoretical research have to face. Through sorting out the development skeleton of interpretation theory, the essay proposed the writer＇s ideas about those topics above.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2010年第3期3-11,39,共10页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
“2009年度江苏教育厅高校哲学社会科学基金项目”,编号:09SJB760012
关键词
阐释
诠释
作者原意
体验
文本
interpretation, interprete, author＇s original intention, experience, text
