摘要
两千多年来,历代艺术家以各种艺术形式塑造了众多形态各异、意义非同的昭君形象:悲怨的昭君,委屈的昭君,思乡恋国的昭君,幸福快乐的昭君,为国立功的昭君,民族友好使者的昭君,等等。昭君出塞和亲象征着农耕文明和游牧文明的碰撞与交融,昭君形象的多义性体现了昭君文化的开放性、包容性,具有十分鲜明的民族特征,其核心价值是爱国主义及和合思想。
For more than 2000 years, a great many images of Wang Zhaojun have been created in various artistic forms and works, plaintive, aggrieved, homesick, happy, meritorious or diplomatically contributing. Zhaojun’s intermarriage is a symbol of cultural contact and reconciliation between the farming nations and the nomadic nations; the polysemy of Zhaojun image demonstrates much openness and inclusiveness of the Zhaojun culture and the distinctive national traits as well, and its core value consists of patriotism and the thinking of harmoniousness and integration.
出处
《三峡论坛》
2010年第4期40-45,共6页
China Three Gorges Tribune
关键词
昭君形象
多义性
昭君文化
民族特性
image of Wang Zhaojun
polysemy
Zhaojun culture
national traits
