摘要
本文旨在从"舞蹈身体语言"的角度对汉画像中的舞蹈形象进行研究,从提炼汉画像各类舞蹈形象的身体语言特点入手,分析其审美特点和文化语境,并最终归纳出其总体风格特色:怡情享乐的舞蹈身体;全能兼容的舞蹈身体;多样统一的舞姿范式。论文的主旨在于通过上述视角的"以图证史",推进汉代舞蹈的深入研究并为其课堂和舞台上的当代转化提供资源性依据。
This paper is aimed to investigate on the dancing images in the Han-dynasty portraits from an angle of ＂body language of dancing＂ ,including works to abstract the characteristics of body language of various dancing images,analyze the aesthetic features and the context of culture,and ultimately summarize out its overall style and characteristics：the dancing body of pleasure and enjoyment; all-around and compatible dancing body; as well as the diverse and unified paradigm of dancing. This paper aims to,through the above new perspective of ＂history with evidence of portraits＂ ,promote in-depth study on the Han-dynasty dancing and provide resource-based foundation for a contemporary transformation in classes and on the stage.
出处
《北京舞蹈学院学报》
北大核心
2010年第1期15-21,共7页
Journal of Beijing Dance Academy
关键词
汉画像
舞蹈形象
舞蹈身体语言
Han-dynasty portraits
dancing images
body language of dancing
