摘要
中国传统音乐记谱法有着悠久的历史,记法众多、卷帙浩繁,是中华民族音乐思维的一种外化形态,它体现着中国音乐独特的思维模式。本文从符号学的认知理论出发,从文化整体观分析问题,跳出中国传统音乐记谱法本体,从音乐使用者——人与社会的角度去认识了解记谱,探讨中国传统记谱法的表象特征和符号内涵,进一步说明拓展记谱分析是民族音乐学研究的一个重要课题。
Traditional Chinese notation has a long history,with various approaches. It is a externalized form of Chinese musical ideas,representing the unique thinking mode of Chinese music. The present article begins with the cognitive theory of semiotics and analyzes the problem in the theory of cultural integration. It goes beyond the subject of traditional Chinese notation to understand notation in the perspectives of human and society. It studies the outward characteristics and semiotic connotation of traditional Chinese notation and further states that broadening notation analysis is an important subject of folk musicology study.
出处
《艺术百家》
CSSCI
北大核心
2010年第3期155-159,共5页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一
关键词
中国传统记谱法
符号学
音乐学
艺术学
思考
traditional Chinese notation
semiotics
musicology
artistics
thought
