摘要
小说《色·戒》被李安改编成为电影引起了轰动效应。张爱玲的原作带有明显的女性叙事的特点,这是由作家的性别决定的,表现出女性对传统男权主义的解构.李安的电影,却不自觉地将小说诠释成为一个男权主义文本,并且带有浓厚的后殖民想象.
Lust, Caution as a film adapted from a novel made a stir. Eileen Chang＇ s original is possessed of female narrative, it is decided by the writer＇ s sex and demonstrates that female deconstruct masculinist. Ang Lee interpreted the novel as a mas- culinist text that is possessed of postcolonialism imagination.
出处
《宁波广播电视大学学报》
2010年第1期22-24,85,共4页
Journal of Ningbo Radio & TV University
