摘要
东乡族作家马自祥的长篇历史小说《阿干歌》,"以小说造史"的形式,通过历史复原、艺术想象与文化寻根多元互融的创作构建,再现了五胡十六国时期雄阔瑰奇的西秦历史画卷,浓墨重彩地刻画了乞伏鲜卑卓尔不凡的人物群像,并以荡气回肠的阿干悲歌贯穿始终,多层面演绎了这一古老歌谣与日后传承的民间艺术"花儿"的渊源关系。
The historical novel The Songs of Agan recently published by Ma Zi-xiang,a writer of Dongxiang ethnic group,shows us vividly magnificent pictures of historical war in Xiqin period appeared in the form of telling history with stories by review of history and creative construction of artistic image and a return to culture root.It also portrays some extraordinary group portraits in Qifu,Xianbei ethnic group.There are lots of songs of Agan from start to finish in this novel,deducing the relationship between the old ballads and the folk Huar at multi-level.Its historical significance,cultural connotation and gradually personalized artistic expression indicate that Ma Zi-xiang＇s artistic creation has reached new heights.
出处
《北方民族大学学报（哲学社会科学版）》
CSSCI
2010年第2期91-95,共5页
Journal of North Minzu University(Philosophy and Social Science)
关键词
《阿干歌》
西秦历史
乞伏鲜卑
文化寻根
The Songs of Agan
history of XIqin
Qifu
Xianbei ethnic group
a return to cultural roots
