摘要
当前,各种名目的电视音乐选秀活动在中国大陆各大电视台"风起云涌"。在"热闹"的背后,我们不难发现,有些音乐选秀中出现音乐成了"背景"、"声音"的份量严重缩水、音乐的"视觉化"大于音乐的"听觉化"等等异化现象。尤其是湖南卫视"快乐女声"的选秀活动,"五音不全"的歌手也能进入十强。对此,我们必须予以密切关注。文章正是就此引发的几点思考:"五音不全"者传播的不能算是音乐;公众的媒体应该给公众应有的尊重和正确的导向;音乐选秀娱乐应该要有个底线;创新、特色要以"守正"为前提。音乐选秀娱乐不能"愚乐",守住"底线",让歌唱成为"音乐",不仅是对艺术的尊重更是对从事整个音乐行业的人的尊重。
Now,various music talent show activities are very popular in mainland Chinese TV stations. Behind such ＂prosperity＂,it is not difficult to find that in some music talent show programs,there appear strange phenomena,such as music becoming the ＂background＂,serious ignorance of ＂sound＂,＂visualization＂ of music larger than its ＂auditorization＂,etc. Especially in ＂Happy Girls＂ by Hunan Satellite TV,even the ＂tong-deaf＂ singer could enter the top 10. We must pay attention to such phenomena. The present article concerns the thoughts caused by the phenomena：what the ＂tong-deaf＂ singer spread can not be regarded as music; public media should provide the public with due respect and correct direction; music talent show entertainment should have a bottom-line; and the innovation and characteristics must have ＂uprightness＂ as their prerequisite. Music talent show entertainment cannot be ＂foolish entertainment＂; it must keep the bottom-line and make singing ＂music＂,which means the respect to not only art but also all the people working at music.
出处
《艺术百家》
CSSCI
北大核心
2010年第2期132-134,152,共4页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一
