摘要
2003年到2008年期间,采用光学显微镜对来自全国11个省和自治区超过30处的考古工地和文博单位的彩绘文物颜料进行了分析和研究,勾勒出中国古代颜料应用的历史轮廓:本文将中国颜料应用史分成三部分论述,先秦至两汉、魏晋南北朝到清代中期、清代晚期。每个时期颜料的应用和彩绘的工艺均有各自的特点,文章配有大量精美的显微照片配合说明。先秦至两汉以中国蓝中国紫为代表,表现出当时科技活动的活跃,秦代骨白的应用也是一个有趣的例子;魏晋南北朝到清代中期是颜料发展史的平和期,这一时期构建起中国传统颜料的体系,未有太大的变化,惟有元代开始应用的苏麻离青颜料是一个关注点;清代晚期,西方工业合成颜料大量涌入是这个时期的显著特点。
Pigments of polychrome Cultural Heritage including architecture polychrome, wall painting, pottery polychrome, textile polychrome and faience in China 11 provinces and more than 30 archaeology sites and museums had been sampled and analysis by optical microscopy, and give us an overall image of ancient Chinese pigments application history. The article roughly split the history three parts： early Qin to Han Dynasty, Chinese Blue and Purple were the symbol to show us technology and culture at that time, bone white was also an interesting example. Till to mid of Qing Dynasty, it was formation time of Chinese traditional pigments system, only Smalt application from Yuan Dynasty should be remarkable. And a great amount of industry pigments imported from Europe was important case in late Qing Dynasty. Many nice photos presented in this article will show us different pigments and polychrome technique.
出处
《文博》
2009年第6期342-346,共5页
关键词
中国
古代
颜料
中国蓝
中国紫
苏麻离青颜料
青金石
巴黎绿
Chinese
Pigments
Chinese Blue
Chinese Purple
Smah
Lapis Lazuti
Emerald Green
Paris Green
