摘要
云南大理作为白族自治州,由于特殊的礼俗传统与人文环境,在洱海周边丰沃的大地上,至今仍然保留着大量的古戏台。作为白族民众情感记忆的符号象征,古戏台就像撒落在苍洱大地的珍珠,不单在过去的岁月"以乐通神",为白族民众提供了敬神娱人的安慰,直到今天,大理古戏台仍以草根的力量,成为白族民众增强族群认同、提高文化凝聚力的重要场域。古戏台的存在,既是白族先民为今天留下的一批物质文化遗产,也是今天建设社会主义新农村、构建和谐社会可以充分利用的文化资源,更是白族传统艺术形态活态传承的文化空间。
Dali is an autonomous prefecture of the Bai nationality. It has its particular customs, rituals and cultural environment, and a large number of ancient theatrical stages on this fertile land around the Erhai Lake have remained Until today. As a symbol of the emo- tional memory of the Bai people, these ancient stages, just like pearls scattered on the vast land of Dali, not only ＂connected God by means of music＂ to provide them some entertainment and comfort to worship God in the past, are an ~important platform with its own strength for enhancing their awareness of ethnic identity and improving their cultural cohesion. They are not only the material and cultural heritages of the Bai people but also the cultural resources for building a new socialist countryside and a harmonious society as well as a cultural platform for the dynamic inheritance of the traditional Bai arts.
出处
《云南民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第1期56-61,共6页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
基金
云南省哲学社会科学规划项目"云南教授对民族地区的农村和谐文化建设的影响研究"(项目批准号:HZ2009023)阶段性成果
关键词
戏台文化
民族心理
文化空间
活态传承
stage culture
ethnic psychology
cultural platform
dynamic inheritance
