摘要
"音响型电子音乐"作为20世纪音乐的一个分支,不论是音响特征还是组织方式,都与传统音乐有明显的区分,但其创作思维是否与传统音乐毫无关联呢?文章以法国20世纪五十年代至本世纪初的电子音乐为例,以传统复调思维中的"对抗"和"互补"两种规律为依据,从音色、音响形态出发,来探究复调思维在音响型电子音乐中的体现。
As a branch of 20^th Century music, the ＂acoustic mode of electronic music＂ is distinct separation from the classical music, no matter for its sounding features or organization manner. How about its creative thinking, nothing to do with the classical music？ Taken example of the electronic music produced in France from the 1950s to the beginning of the century, according to the two laws of oppose and complementary in the traditional polyphonic thinking, from the point of timbre and sound patterns, the article explored the polyphonic thinking reflected in the acoustic mode of electronic music.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2010年第1期63-72,共10页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
音响型电子音乐
复调性思维
音色
音响形态
acoustic mode of electronic music, audio-type electronic music, polyphonic thinking, timbre, sound patterns
