摘要
面对新世纪乡村的变动,贾平凹适时创作了长篇小说《秦腔》,以"秦腔"为中心意象,描绘了新世纪乡村各个层面的真实图景和民间传统文化的衰败,体现了贾平凹对新世纪乡村的人性关照和整体反思。在《秦腔》中,贾平凹通过乡村经济层面的贫富差距和村民思想观念层面的现代转变,呈现了当下乡村的真实生存图景,这是乡村现代化和城市化带来的变迁,也导致了乡村传统道德的崩溃和民间文化的衰落。贾平凹唱出了一首民间文化的挽歌,试图重新建立新的乡土审美想象和言说方式,对以往的乡土小说创作进行了突破和创新。
Qinqiang,taking Qinqiang,the local opera in Shaanxi as the central image,tells true stories in the country against the background of a changing countryside.In this novel,Jia Pingwa,the author,describes the changes in people's mind and the gap between the rich and the poor brought about by modernization and urbanization of the rural areas,and gives his reflection on the decline of traditional folk culture and the collapse of traditional moral values.By trying to build new aesthetic judgment of the changed countryside,this novel makes itself a breakthrough.
出处
《西南石油大学学报（社会科学版）》
2010年第1期98-102,共5页
Journal of Southwest Petroleum University(Social Sciences Edition)
关键词
现当代文学
小说
贾平凹
秦腔
乡村
人性
言说方式
modern and contemporary literature
novel
Jia Pingwa
Qinqiang
rural area
humanity
expression
