摘要
《野草》中潜伏着一种隐逸的精神向度,体现在作品中类隐士的人物形象上和关于死亡的欢喜体验中。这种精神向度是对中国传统隐逸文化的一种现代转换。
The dimension of hermit＇s spirit hides in Wild Grass. It is expounded on the images of character liking hermit in the works and amid the joyful experience of death. It is a modern transformation of chinese traditional hermit＇s culture.
出处
《宝鸡文理学院学报（社会科学版）》
2009年第6期64-68,81,共6页
Journal of Baoji University of Arts and Sciences：Social Science Edition
关键词
隐逸文化
类隐士
死亡体验
现代转换
Hermit ＇ s Culture
Character liking Hermit
dead experience
modern transformation
