摘要
研究一个时期一个国家作品对另外一个国家的描述,可以看出这一时期这个国家对另一个国家的总的观点和看法。从比较文学形象学理论出发,梳理19世纪到20世纪20-30年代的中国在西方思想家、传教士和作家作品中的中国形象,可以看出,在大国主义优越感、传教需要和商业利益等现实目的作用下,中国被镀上了一层越来越晦暗的令人害怕与恐惧的色彩,渐渐成为不在场的“他者”。
People can conclude how one nation views another nation generally in certain period by studying the works in one nation about another nation in the period.Based on the theory of comparative literature,by analysis of the image of China in the works by western thinkers,missionaries and writers from 19th century to 1920s and 1930s,it can be seen that effected by superiority of great-power chauvinism,the need of missionary work and commercial interests,China was painted dreadful and terrifying shades and became the ＂other＂ in absence.
出处
《太原师范学院学报（社会科学版）》
2009年第6期38-40,共3页
Journal of Taiyuan Normal University:Social Science Edition
关键词
近代中国
他者
中国形象
modern China
the ＂other＂
China＇s image
