摘要
传统手工技艺类的非物质文化遗产,往往通过产业化的开发和保护,成为市场中流通的旅游工艺品,这也是目前能使之得以延续的较好方式之一,但成为旅游工艺品后,非物质文化遗产的物质层面常常会脱离"非物质性"而存在,成为纯粹的商品,这种情况促使我们需要对非物质文化遗产的价值进行反思。本文尝试通过对靖西绣球社会功能、角色变化的梳理,考察一个物如何在不同的语境下,既作为非物质文化遗产的保护对象,又作为旅游工艺品而存在,哪些因素促成了其角色的转换,并提出,旅游工艺品中的非物质文化遗产价值必须以当下传承主体的自身感受,而不是所谓的传统为实现标准。
The intangible cultural heritage of traditional manual skills, have always been shown as a tangible travel crafts in the market through the develop and protect of industrialization, it appears as an effective way to make it go on. But obviously, after being a travel craft, the material part of intangible cultural heritage has always apart from the its spirit and connotation, and becoming a pure commodity. The situation made us re - thinking the value of intangible cultural heritage. Through hackling the changes of JingXi silk ball＇ s role and social function, this passage is trying to inspect, how can a thing both as the intangible cultural heritage and as a tourist product under different contexts？ Which factors contribute to its conversion？ And propose the idea that, the realization of the value of intangible cultural heritage in travel crafts must be in the standards of the own feelings of people who heritage, rather than the so - called tradition.
出处
《广西民族研究》
CSSCI
北大核心
2009年第4期197-203,共7页
GUANGXI ETHNIC STUDIES
