摘要
在宋玉批评史中,流行着一种视宋玉为风流浪子的看法,笔者认为这种看法是由中晚唐的艳诗引发的,而又由五代两宋的艳词推波助澜。这种看法形成的原因主要是艳诗艳词在使用宋玉有关女性的典故时不顾典故的本事本义,随意引申,任意虚构所致,以致歪曲了宋玉的形象,干扰了正确的宋玉批评,对于宋玉接受,特别是民间宋玉接受,造成了误导性的不良的影响,应予以澄清,以正视听。
In Song Yu＇ s criticism history, there is a popular point of view which takes Song Yu as dissolute and prodigal . We assume that this view originated from the love poem in flowery of Mid ＆ Late Tang Dynasties and promoted by the love poetry during Five Dynasties and Two Song Dynasties. When Song Yu＇ s stories about women were applied in those love poems, the originate facts and meanings were quoted and made up wantonly. As a result, Song Yu＇ s image has been distorted and Song Yu＇ s criticism has been intervened. These mislead- ing has a negative influence on our aceeotanee of Song Yu, and this needs to be clarified.
出处
《鞍山师范学院学报》
2009年第5期26-31,共6页
Journal of Anshan Normal University
关键词
宋玉接受
中晚唐艳诗
五代两宋艳词
不良影响
Acceptance of Song yu
The love poems in flowery of Mid ＆ Late Tang Dynasties
The love poetryin flowery of Five Dynasties and Two Song Dynasties
Negative influence
