摘要
《父亲》是斯特林堡受达尔文"适者生存"理论影响创作的第一部自然主义戏剧。传统上人们往往只关注剧中表现出的"厌女症",并把它归结于作家本人的生活经历和女性观。本文从社会性别研究视角出发,认为"厌女症"恰恰暴露了男性的不自信和身份认同的危机。该剧中上尉对女人的嘲弄、歪曲和贬低是他自我压抑和自我否定的一种发泄。面对强大的女性对手,他的对抗和挣扎被证明是徒劳的。他的死最终表明他是一个彻底的失败者。
The Father, August Strindberg＇ s first naturalistic play, is written under Darwin＇ s influence of ＂The Law of the Fittest. ＂ Traditionally, people＇ s focus of interest of the play is its ＂misogyny＂ and they often attribute it to the playwright＇ s personal experience and his view of women. This thesis, guided by the theories of gender studies, attempts to argue that ＂misogyny＂ in the play is precisely an exposure of male uncertainty and masculinity crisis. The Captain＇ s derision, distortion and degradation of women only let off his self-repression and self-deniak. In the face of a stronger female antagonist, his opposition and struggle prove to be futile, his death being a final evidence of his complete failure.
出处
《外语教学》
CSSCI
北大核心
2009年第6期84-87,91,共5页
Foreign Language Education
基金
第一作者主持的国家社科基金项目"十九世纪后期北欧文学及其对世界文学的影响"(03CWW005)结项成果的一部分
西安外国语大学科研基金资助(编号:08XWC20)
