摘要
《三国演义》的创作主要依据陈寿的《三国志》及裴松之的注,也吸收了魏晋至隋唐的野史、笔记、民间传说以及宋元时期的小说、杂剧。《三国演义》为了还原历史,或根据他书的记载对《三国志》加以纠正;或因《三国志》的记载不合情理,而采用他说;或因《三国志》的记载过于简略,而依据情理加以补充、丰富;或因《三国志》的记载事实不清,依据相关文献加以推演。正是因为小说不受《三国志》的局限,敢于和善于运用想像和虚构,通过对史实的选择、加工、改造,因而既能在一定程度上还原历史,又为读者提供了一种比史书更为形象、生动,更具活力的历史。
The creation of Romance of the Three Kingdoms was mainly based on Chen Shou＇ s History of Three Kingdoms and the notes by Pei Songzhi. It also referred the folklore, notebooks, folk stories, and dramas and novels of Song and Yuan Dynasty. In order to show the true history, the novel Romance of the Three Kingdoms revised, completed and changed some historical record of l-tistory of Three Kingdoms. Beyond the limit of history., with the imagination, the novel can show the real history to some extent with selection, revising, rewriting and changing, which show tbe readers a more vivid and energetic history.
出处
《湖南第一师范学报》
2009年第5期112-116,共5页
Journal of First Teachers College of Hunan
基金
湖南省"十五"重点学科:湘潭师范学院"中国古代文学"项目
"湘教通(2003)3号"
湖南省普通高等学校哲学社会科学重点研究基地:湖南科技大学"中国古代文学与社会文化研究基地"项目
"湘教通(2004)284号"
关键词
《三国演义》
《三国志》
史实
想像
虚构
还原历史
Romance of the Three Kingdoms
History of the Three Kingdoms
history
imagination
fiction
showing the real history
