摘要
易卜生的诸多戏剧作品,尤其是创作于《培尔.金特》(1867)之后的剧作,都透出一种神秘和诡异的气质与色彩。哈罗德.布鲁姆将其称之为"妖性"。以易卜生的后期剧作《建筑大师》为例,对这种"妖性"进行了分析与展示,旨在说明:作为"现代戏剧之父"的易卜生,他的剧作所呈现出来的"现代性",在今天仍然熠熠生辉,不失为我们戏剧创作的典范。
Ever since the publication of Peer C, ynt （ 1867 ）, many of Ibsen＇ s later plays have presented a mysterious and even spectral air or color, which is accurately named by Harold Bloom as ＂trollish＂. The present paper attempts to provide a thorough as well as profound analysis on this ＂trollish color＂ by focusing on the related aspects in The Mster Builder, a play wriitten in 1892, the best example of the plays of this nature. As the ＂father of the modern theater＂, the modernity permeated in these plays still qualify them as models for the playwrights even today.
出处
《外国语文》
CSSCI
北大核心
2009年第4期91-93,共3页
Foreign Languages and Literature
关键词
易卜生
后期剧作
建筑大师
妖性
Ibsen
later palys
The Master Builder
trollishness
