摘要
各个调性的色彩指向既有客观物理的缘由,又有调性形成的历史个性,还有作曲家主观的创作意识和思维习惯。本文对贝多芬及其之前的作曲家巴赫、海顿、莫扎特等创作的c小调钢琴作品进行研究,并着重c小调特性,从对比乐句、主题的上行旋律走向、重复音型以及减七和弦、附点节奏、休止符、三连音的运用等方面进行具体分析,从而解释贝多芬对c小调调性的理解与运用,并延伸至这些作品对贝多芬英雄主义风格形成的作用及其后续影响。
The tonal color direction of each tonality has not only the objective physical reasons, but also its historic disposition of the formation, and the composer＇ s consciousness in composing and the habits of thought. Tne research is conducted on the study of C - minor piano pieces written by Beethoven as well as the composers such as Bach, Haydn and Mozart, focusing on the C-minor tonality, by comparing the ascending melody direction of phrases and themes, repeated patterns and the use of diminished seventh chords,dotted rhythms, rests and triplets, thus to explain Beethoven＇s understanding and functioning of C-minor, and extended to the function and influence of such works on the formation of Beethoven＇s Heroism style.
出处
《星海音乐学院学报》
2009年第2期41-48,共8页
Journal of Xinghai Conservatory of Music
