摘要
通过对黄宾虹的画学理念"工在意不在貌"的学习研究,进一步加深对传统山水画美学特征"意"的认识。思考从油画风景与中国山水画两者的比较研究中,将"意"作为一个切入点,融入当下油画风景的写生创作之中,并探索融入的意义、途径和方法。
By analyzing Chinese famous artist Huang Binhong＇s painting theory： ＂Artistic work lies on their meaning, not their appearance＂ The article deeply understands the aesthetical feature of ＂mean- ing＂ in traditional Chinese landscape painting. Then we have a direct contrast analysis on landscape oil painting and Chinese traditional landscape painting and use ＂meaning＂ as a cut-in point to infuse it in- to the contemporary landscape oil painting＇s sketching and creation and then discuss the significance and methods of doing so.
出处
《云南农业大学学报（社会科学版）》
2009年第3期78-81,共4页
Journal of Yunnan Agricultural University(Social Science)
关键词
油画风景
中国山水画
工在意不在貌
意
黄宾虹
landscape oil painting
Chinese traditional landscape painting
artistic work lies on their meaning, not their appearance
meaning
Huang Bin-hong
