摘要
清代比较典型的绘画世家有17个家族,主要集中分布于清前、中期的苏南及浙北环太湖经济发达地区,具有十分明显的时空分布特征。绘画世家的内部构成较多样,一门群从或父子相传者最多。清代绘画世家的家学传统非常丰富,有单一的绘画世家,有善画工书兼长文史的世家。绘画世家的家学内容并非是固定不变的,往往因时更易,与时代的变化息息相关。丰厚的历史文化沉淀、清前中期的社会环境以及统治者的喜好,是清代绘画世家兴盛的文化动因。
There existed 17 typical families of artists in the Qing Dynasty, which were mainly distributed over the south of Jiangsu Province and developed regions around Taihu Lake in the North of Zhejiang Province, in the early and middle periods of the Qing Dynasty. That distribution has the clear features of time and space. The inner constructions of families of artists are various. Most of them demonstrated as the whole family members were artists or the learning was handed down from father to son. Those families had rich tradition of family learning, including the families of painting, of painting and handwriting as well as history and literature. The content of their learning was not always fixed, instead, changes often happened to keep pace with the times, or to be closely related to changes of times. The prosperity of the families of artists in the Qing Dynasty had the following cultural motives： rich accumulation and waiting of history and culture, the social environment of the early Qing Dynasty and the rulers＇ being fond of arts.
出处
《河北北方学院学报（社会科学版）》
2009年第3期24-26,共3页
Journal of Hebei North University：Social Science Edition
关键词
清代绘画史
绘画世家
家学
the historical of painting in the Qing Dynasty
families of artists
learning handed down in a family
