摘要
中国园林在文学作品中成了"是非之地",成了风月之所,究其原因,因为中国园林在历史和自身营构中体现出的暧昧氛围,特别适合男女的传情放欲、幽会偷情,反映在文学中就成了诱情、诱欲的强烈符号。中国园林在文学中所表现出的反动的一面,是和中国儒家理学对人性的压抑分不开的。
Chinese classical gardens have become a place of ＂obscurities＂, and a place for romantic amativeness. The reason behind this phenomenon is that Chinese classical gardens try to create an obscure amatory atmosphere in their own structural design, which is a particularly suitable place for lovers to indulge in love affections and amorous pleasure and to have tryst and carry on a clandestine love affair with each other. Represented in literary works, these gardens become a strong symbol of inducing amorous affection and arousing erotic feelings. The reactionary side of Chinese classical gardens depicted in literary works has close connections with the suppression of human nature advocated by China＇s Confucianism.
出处
《南阳师范学院学报》
CAS
2009年第5期51-54,共4页
Journal of Nanyang Normal University
关键词
中国园林
诱情
男女
儒家理学
Chinese classical garden
inducing amorous feelings
men and women
Confucianism
