摘要
1918年北京大学发起的歌谣征集运动,引发了当时的现代知识分子重新审视中国的文学史,也影响了部分诗人采用歌谣的形式创作新诗,同时掀起了知识分子对歌谣与诗歌性质异同的争论,从中我们可以透视出当时知识分子的民间立场。
The movement of collections of ballads launched in Peking University in 1918 motivated intellectuals to research on folklore and care about folk customs. The intellectuals built a new national order among an academic historic imagination and literature construction by means of folk customs and folk literature. The change deeply reflects Chinese intellectuals' illogical attitudes towards folk during the period of "5·4 Movement".