摘要
在王安忆多变的文学创作中,始终有一个恒定的方面,这就是对女性的关注。从最初的《雨,沙沙沙》到"三恋"再到《长恨歌》,表达着不同的主题,但却贯通着不变的女性意识。在《长恨歌》中王安忆以女性人物为主角,以超性别的姿态、自觉的性别意识建立起作为女性审视世界的独特方式。此文从三个方面切入《长恨歌》,探讨了王安忆小说创作以女性的言说方式,对女性生命本体、生命意义进行的深刻追问,具有重要的现实意义。
In Wang Anyi＇s changeable literary works, there is always an unchangeable aspect-- concern with feminie. From the early ＂The Rustling Rain＂ to ＂Three Loves＂ and to ＂The Hateful Story＂, Wang expresses different themes, but every theme contains the everlasting feminine awareness. In The Hateful Story, Wang has feminine characters as the main roles and establishes a unique way of viewing feminie by holding an nonsexual attitude and a spontanious feminine awareness. The thesis discusses The Hateful Story from three aspects and concludes that it is realistically important for Wang＇s novels to explore the noumenon of feminine lives and life meanings by employing feminine speeches.
出处
《邢台职业技术学院学报》
2009年第2期70-71,86,共3页
Journal of Xingtai Polytechnic College
基金
邢台学院2007年重点立项课题:"生态女性文学的建构"
课题编号:XTXY07SZ002
关键词
长恨歌
女性意识
生命本体
The Hateful Story
feminine awareness
the noumenon of lives
