摘要
本文认为,中国古代在俗文化与士文化的视野中,形成了两种不同的悲剧观。在俗文化的视野中,悲剧主要指在"悲欢离合"结构下所演绎的悲离情境,使观众产生认同感,达到令人泪下的效果。悲离情境只是悲剧片段,"折子戏"的出现,使悲剧呈现出相对的完整。士文化视野中的悲剧观主要是以戏剧抒发不遇于时、于世的悲剧感,"长歌当哭",更多表现的是士人内心的"哭泣",在悲剧的精神指向上与西方悲剧有一致性。
This article believed that China ancient times in vulgar cultural and in the gentleman culture＇s field of vision, has formed two kind of different tragedy views. In the vulgar culture＇s field of vision,the tragedy mainly refers to leaves the situation which sadly under the structure deducts in ＂the vicissitudes of life＂, causes the audience to have the sympathy, achieves the bring tears effect. To the situation is only the tragedy fragment sadly,＂ Zhezi play＂ the appearance, causes the tragedy to present the relative completeness. In gentleman culture field of vision tragedy view：Expresses does not meet Yu Shi, Yu Sbi the tragedy feeling by the play, ＂long poem to express grief and indignation＂, what more performance is the gentleman person innermost feelings ＂the sob＂, has the uniformity in the tragedy spiritual direction with the Western tragedy.
出处
《青海师专学报》
2009年第2期22-25,共4页
Journal of Qinghai Junior Teachers' College
关键词
中国
古典戏剧
悲剧观
Chinese nation
classical play
tragedy view
