摘要
中国传统人物画受中国传统哲学特别是相学的影响较大,因此从创作理念到欣赏心理,都与建立在理性、科学的透视学和解剖学基础上的西方古典油画不同。本文从相学与人物画的关系角度切入,结合相关绘画作品与人物画论,从传统文化的角度,阐释相学对中国传统人物画品评、创作的影响及对当今人物画创作与欣赏的意义。
Traditional Chinese figure paintings are one of the major types of Chinese paintings. This kind of paintings is influenced by traditional Chinese philosophies, especially by Chinese physiognomy. That's why the creational ideas, appreciation and comments for traditional Chinese figure paintings are absolutely different from classical oil paintings which are found on the rational and scientific perspective and anatomy. This paper mainly concerns the relationship between physiognomy and figure paintings. What's more, it also combined with some pictures which have relations with the figure paintings' theories. And we try to interpret the influences of physiognomy for traditional Chinese figure paintings in appreciation、comments and artistic creation, and the meanings for the creation and enjoyment of nowadays figure paintings.
出处
《艺术探索》
2009年第2期43-46,共4页
Arts Exploration
基金
"云南师范大学2008年大学生课外学术科技研究项目"立项项目(编号:云师大学科立(2008)18)的中期研究成果之一
关键词
相学
人物画
骨相
骨法
尊卑贵贱
physiognomy, traditional Chinese figure paintings, physiognomy about the bones, the axioms about the bones, the respectable and humble
