摘要
沈谦《词韵略》开创了依附于诗韵,结合对唐宋名家词作韵脚的抽样调查,而折衷取用的词韵编纂方法。沈谦探讨并确立词韵押韵的原则,填词用韵应该平声独押,上去通押,入声独押,又偶有平上去三声通押的情况,又在《中原音韵》的基础上,归并组合出十九韵部,并主张参用古诗押韵之法。《词韵略》面世之后,得到词坛的激赏,对清代的词韵制作产生了广泛而深入的影响,其韵部分合原则和编纂方法成为后世词韵取资沿袭的渊薮。
Concise Introduction to Prosodic Rhyming by Shen Qian provides with a new compiling method on the basis of random surveys and compromises of the rhyming techniques proposed by the prose writers of Tang, Song dynasties. Shen Qian claims that the proses rhyme with leveland the rising tones in groups, falling-rising and falling tones in groups, and entering tone alone. Moreover, based on The Rhymes in Midland, Shen Qian proposes nineteen rhyming groups. The Concise Introduction to Prosodic Rhyming produces a profound effect on the rhyming lexicology since Qing dynasty.
出处
《河北师范大学学报（哲学社会科学版）》
北大核心
2009年第2期72-77,共6页
Journal of Hebei Normal University(Philosophy and Social Sciences)
基金
全国高校古委会重点资助项目<明清词韵汇校考释>(教古项字0829)
河北师范大学博士基金项目<明清词韵学研究>(W2007B04)的阶段性成果
关键词
沈谦
《词韵略》
韵部形制
格律
词韵史
Shen Qian
Concise Introduction to Prosodic Rhyming
rhyming system
meter
history of rhyme
