摘要
"译者主体性"随着近年来翻译研究"文化转向"的兴起成为了国内外译界的热门话题。通过阐释译者主体性的内涵及其五种表现形式,并从这五个方面来分别研究张培基先生翻译的《白杨礼赞》这篇佳作,以求更深刻地理解张先生是如何在准确传达出原文意义与风格的同时,发挥其主观能动性的。有助于更全面地评析译作,也为译者在翻译中发挥主体性提供了借鉴意义。
Tribute to the White Poplar is generally acknowledged as an excellent piece in ZHANGPei-ji＇s translation of Chinese prose. With the popularity of the ＂cultural turn＂ in Translation Studies, the translator＇s subjectivity, which emphasizes the subjective initiative of the translator, has been highlighted in recent years by translators both at home and abroad. This paper, through an elaboration of the connotations and five expressions of the translator＇s subjectivity, offers a tentative approach to ZHANG Pei-ji＇s translation version from those five aspects respectively. Thus, it can be deeply understood how Professor ZHANG can properly convey both meaning and style of the original work at the same time bringing his subjectivity into full play. This is conclusive to an overall study of the translation version, and can help translators in bringing their subjectivity appropriately in the process of translation.
出处
《贵州教育学院学报》
2009年第2期20-23,共4页
Journal of Guizhou Educational College(Social Science Edition)
关键词
白杨礼赞
张培基
译者主体性
散文英译
Tribute to the White Poplar
ZHANG Pei-ji
Translator
Subjectivity
English Translation of Chinese Prose
