摘要
在专业音乐院校建立之前,西方的钢琴等键盘乐器就开始传入中国,教育也就随之发生。在中国封建社会里,在带有大国自居思想的背景下,钢琴教育只能在皇宫等上层阶层开展,虽然施教者虔诚朝贡,但受教者只是"玩玩"而已,钢琴教育举步维艰。中国近代史使钢琴艺术在维新思想的促进下得以发展,并逐渐深入到学堂之中,也在业余的学习中开展,这两种教育模式后来成为中国钢琴音乐教育的基本方式。
Before professional piano education conservatory established or earlier time, western keyboard instrument like pianoforte had come in China, and education had taken place. In Chinese feudalism society, under Celestial Empire idealistic background, piano education had only executed in basilica or super stratum society. At that time, piano education was only enjoyed in archon. It hardly developed. Promoted in new reform thinking, piano art was gained and expanded. Earlier piano education was deep actualized in classroom and amateurish society. Two education modes developed to basic Chinese piano education pattern. The paper studies on Chinese piano education in historiography method.
出处
《皖西学院学报》
2009年第1期147-150,共4页
Journal of West Anhui University
关键词
中国钢琴艺术
钢琴教育
西学东渐
音乐教育学
Chinese piano art
piano education
western learning spreading to the east
music
