摘要
作为清末重要的一部诗话著作,《石遗室诗话》反映了当时诗人在继承前人的基础上对诗歌内容与形式所做的转变与革新。清末诗人郑珍继承韩愈以俗、丑之事入诗的传统,表现出清代诗人对诗歌内容进行的积极探索。诗歌除内容外,形式也需要不断创新,同光体诗人大量运用长题使传统的诗歌形式产生了"陌生化"效果,为诗坛注入另一种空气。文学传统与个人才能是相辅相成的,新人与古人、新诗与古诗之间存在着无法回避的文学与文化的"互文"现象,它是文学发展的重要前提。陈衍主张诗人之诗和学人之诗相结合的观点,正反映了这种文学互文关系的现实可能性,而清末诗人也对此进行了积极的实践与不懈的努力。
Stone Room Poetry,one of the important works in Qing Dynasty,reflects the poets' innovation of the content and form of poems on the base of predecessors.Zheng Zhen,a famous poet at that time,inherited the tradition of descripting vulgar and ugly imagery in the poem,showing the poets in Qing Dynasty actively explorating the content of poem.Poets need to create new poetic form besides the content.Tong Guang School of Poem got the effect of unfamiliarization by using a lot of long titles in their poems.This new style brought fresh air to the poetic field.The relation between literary tradition and personal talent is interactive.It can't change the reality of literary and cultural intertextuality between the new poets(poems)and ancient poets(poems);it is an essential prerequisite for the development of literature.Chen Yan's idea that the combining of talented poets and the knowlegeable reflects the real possibility of literary intertextuality,and the poets in Qing Dynasty also did active practice and paid huge efforts.
出处
《南京理工大学学报（社会科学版）》
2009年第1期41-44,49,共5页
Journal of Nanjing University of Science and Technology：Social Sciences
关键词
崇高
陌生化
互文性
loftiness
unfamiliarization
intertextuality
