摘要
《暴风雨奏鸣曲》(作品第31号之二)是贝多芬重要的钢琴奏鸣曲之一。在西方音乐发展史的宏观背景下,将《暴风雨奏鸣曲》的创作背景作为出发点,结合音乐本体研究和人文学科等诸多因素,可以为探索贝多芬音乐作品中显现出来的音乐特质提供一个新的视角。
Sonata ＂Storm＂ （No.2,Op.31） is one of the important Piano Sonadas of Beethoven. In the macro- background of the western music history, taking the creation background of Sonata ＂Storm＂ as starting point,combining the factors such as the musical study and the humanities, we can provide a new prospective for exploring the musical characteristics that appear from the musical works of Beethoven.
