摘要
20世纪90年代以来的文学以及文学批评,由于丧失了20世纪80年代文学所具有的那种向心力与凝聚力,没有了铸合整个民族精神走向的统一精神标尺,因而呈现出某种疲沓、松散与萎靡之态。风景园林艺术与文化属于上层建筑与意识形态的一种表现形式,也受到整个文学与艺术批评的影响。相对于文学批评、艺术批评甚至建筑批评,风景园林批评由于其综合性、复杂性以及实践性与时代性的影响,还处于起步摸索与萌芽阶段。风景园林批评的主体论、对象论、价值论、生态论、土地伦理和方法论是风景园林批评学的重点。其中风景园林批评的价值论和方法论是批评学的基础。
The literature and literary criticism since the 1990s, due to the loss of solidariff and cohesion of the literature of the 1980s, had no unified spiritual scale to integrate the spiritual orientation of the whole nation and in result was in a weary, loose and dispirited state. Landscape art and culture belong 1o the superstructure and are the expression form of ideology, and they are also affected by the whole literature and art criticism. Compared to literary criticism, art criticism and even architecture criticism, landscape architecture criticism is still in its groping and embryonic slage because of its comprehensive and complex nalure and the impact of practice and time. The subject theory, target lheory, value theory, ecological theory, land ethics and methodology are the focus of landscape architecture criticism, among which the value theory and methodology are the basis of landscape architecture criticism.
出处
《中国园林》
2008年第10期1-7,共7页
Chinese Landscape Architecture
关键词
风景园林
批评学
当代
价值
伦理
方法论
landscape architeclure
criticism
conlemporary era
value
ethic
methodology
