摘要
审美人类学,是从审美的角度来研究人本身的科学,是从人对现实的审美关系出发来研究人的本质的科学,是美学和人类学的交叉和融合。本文从审美人类学的角度来研究18世纪末19世纪初德国著名文学家、美学家席勒的"美是现象中的自由"这个命题的深层涵义,揭示美的人类学性质,探索美与人之间的密切关系。在此基础之上,联系现代社会的审美困境,阐发了美的人类学性质的现代意蕴。
Aesthetics anthropology is the science of htmaan from the esthetic angle and the innate character of human and it＇s essence from the aesthetic relations between human and the reality. Aesthetic anthropology is the fusion and overlapping of aesthetics and anthropologies. This article grinds from the esthetic anthropology angle to study the deep layer implication of ＂beautiful is the freedom of phenomenon＂ said by Schiller, the German renowned author and aesthedcian at the end of 18 century and the begirming of 19 century, and promulgates the nature of the aesthetic anthropology of aesthetics, quests the close relationship between men and aesthetics. On this foundation, it connects with the aesthetic predicament of the modem society, delivers the modem meaning of the nature of aesthetic anthropology.
出处
《柳州师专学报》
2008年第5期9-11,共3页
Journal of Liuzhou Teachers College
关键词
自由
意蕴
审美人类学
freedom
meaning
aesthetic anthropology
