摘要
在文化多元化呼声的现时代文化大背景下,明式家具,由于其附载着浓郁的中国传统民族文化气息,堪称明朝文化艺术形态的典型代表,而备受关注。明式家具既满足于市民对生活良好希望的本原追求,还兼有浓郁的封建礼制特点,更突出地体现了中国传统文人思想的特点和内涵。文人与世俗,理想与生活,理性伦常、浪漫物华与古雅意境,通过工匠的巧取兼得,以含蓄与直白交错的艺术表现形式展示了出来。
In the context of diversified desire of culture, the Ming-style furniture attracts great attention owing to its full-bodied Chinese traditional culture and representing the typical cultural and artistic forms of the Ming Dynasty. The Mingstyle furniture not only satisfies the people＇s original pursuit of good living but also strongly features the feudal etiquette and system and prominently reflects the features and connotations of humanistic thoughts. The implicit and explicit infusion is artistically expressed through the artisan＇s skill and wisdom, involving scholars and earthliness, ideal and life, rationality and morality, and romantic artwork and quaint image.
出处
《中南林业科技大学学报（社会科学版）》
2008年第5期98-100,共3页
Journal of Central South University of Forestry & Technology（Social Sciences）
关键词
明式家具
直白
含蓄
文人文化
世俗文化
工匠
Ming-style furniture
explicit
implicit
literati culture
secular culture
craftsmen
