摘要
民族乐器音色的模仿艺术是中国钢琴作品创作与演奏中非常重要的内容,在揭示民族音乐文化神韵、描绘意境、渲染情绪、塑造形象、体现民族风格等方面起着非常大的作用。本文从民族乐器音色特征、中国钢琴作品对民族乐器音色的模仿及演奏技巧入手,结合经典中国钢琴作品中民族乐器音色的运用分析,提出了对原始音响和民族乐器音响双重模仿的理念,探讨了民族乐器音色表现形式及演奏等问题,以期为演奏者正确理解和表现中国钢琴作品中的音色特征提供参考。
Imitating various timbres of national musical instruments is extremely vital in the process of creating and performing Chinese piano works , and it also plays significant role in revealing the lingering charm of national music culture, in depicting artistic conceptions , in playing up emotion, in modeling images as well as giving expression to national styles. Starting with the characteristics, the imitation and performing skills of timbres of national musical instruments, at the first place, the author makes an analysis on different timbres in several Chinese piano works. At the second place, he puts up with the idea of dual-imitation of primitive acoustics and national musical instruments acoustics. At the last place, he also makes a detailed discussion about the expression forms and performance of timbres of national musical instruments, in hopes to provide the characteristics of tune color for readers＇ reference.
出处
《音乐探索》
CSSCI
2008年第3期71-74,共4页
Explorations in Music
关键词
中国钢琴曲
民族乐器音色
钢琴演奏技巧
音色模仿
Chinese piano works
timbres of national musical instruments
the skills of piano performance
the imitation of timbres
