摘要
蕃人画是中国历史上出现的以描写外国或外族人物及异域风土人情等内容为主的绘画形式,作为人物画的一种题材,蕃人画的起源虽可上溯至汉代,但是其绘画样式的形成、创作的繁荣只能在民族融合、中外文化交流频繁的魏晋南北朝尤其是隋唐时期才能完成。本文拟从传世及考古发现的绘画遗迹入手,对唐代蕃人画的样式特征进行初步探讨,并对其绘画样式的政治功能予以简要地阐释。
Painting portraying foreigners is the painting pattern mainly for portraying foreigners or other nationalities,natural conditions and social customs.And such subject matters for figure painting were not only plentiful in Tang Dynasty when it was frequenting in cultural exchange between foreign and China,but also formed into two patterns of catalog and plot and four styes.The paintings,on the one hand,revealed the truthful visage of cultural exchange between foreign and China,which was used as a means by Tang Dynasty for showing great Tang's impressive manner;on the other hand,expressed the expectation of the people for integrating the whole country and governing with law.
出处
《四川文物》
2008年第5期80-85,共6页
Sichuan Cultural Relics
